[...] "Home" is a glossier effort than "Fly" or "Wide Open Spaces," yet at the same time, probably their most earthy. Only a very few artists have been able to walk this kind of fine line, and they would number the kind of musicians and songwriters that appear on "Home" with the Dixie Chicks or as artists in their own right. I'm thinking of people like Marty Stuart, Patty Griffin, Rodney Crowell, Rosanne Cash, Ricky Scaggs or Emmylou Harris. That's the kind of vibe that "Home" gives off.

The Dixie Chicks understand that there's a small amount of space between Fleetwood Mac and "Travelin' Soldier." By not allowing the factory mentality of most Nashville recordings to interfere with the music (we won't mention the slickslop of a certain "Angry American") and carting their production/recording off to Austin Texas, "Home" neatly avoids sounding like the typical inbred clone of what Music City churns out on a weekly basis. The Dixie Chicks use instruments here that don't require amplifiers and they give the songs room to breathe, even more so when they allow the voices to just take over. No amount of studio trickery can mask the vocal talent that opens "White Trash Wedding," or that Natalie Maines has become a woman of incredible emotional range, as the CD's final two selections "Godspeed" and "Top of the World" prove. This is the kind of music represents my country to me. I just can't recommend the Dixie Chicks enough. They are the sound of the free.

Four and a half stars.