For the most part, this is a rock-n-roll album with big guitars. In spots, it's a bit overproduced. Like all its predecessors, this Oasis album has that air of familiarity and gives you that, "I've heard this before" feeling. I think it's quite fresh, though. Oasis is a paradox: they beg, steal and borrow from the Who, the Beatles, the Stones, the Stone Roses, Slade, T. Rex, Bowie, etc, but still come out sounding like Oasis. With the exception of one or two songs that are blatant rip-offs, the worst that can be said for its originality is that it's "derivative" in places.

This is also the first Oasis album with songs written by the non-Gallagher members of the band, and the first album to feature more than one song by Liam (three, in fact).

"The Hindu Times" (Noel) - Neo-psychedelic. Big guitars with raga-sounding lead guitar licks and Liam's braying vocals. In the rhythm guitar you'll hear a smidgeon of "Jumpin' Jack Flash." This is a song (apparently) about nothing ("I get so I high I just can't feel it."). It's one of the better songs on the album and a good one to crank with the windows down.

"Force of Nature" (Noel) - This song floated around for a year or two before HC as Noel solo song (he's the singer.) Noel's vocals are great; he really screams it out. There's a healthy dose of anger and cynicism in this one, rare for Oasis. The best line: "I betcha knew right away/It's all over town that the sun's going down/on the days of your easy life." The ghost of Marc Bolan has certainly possessed this tune.

"Hung in a Bad Place" (Gem Archer) - Though not written by a Gallagher, "Hung" sounds like it would have fit right in on Definitely Maybe. It's another big guitar song with Liam's nasally snarl. The more I hear it the more I dig it! Lyrically, it's in the vein of "Free" by Jagger/Richards: "I can go where I wanna/be where I wanna be now . . ." This has the makings of a great live tune.

"Stop Crying Your Heart Out" (Noel) - When I hear this song all I can think of is "Dear Friend" off of Wings' Wild Life. After the slowly plodding piano intro, it turns into a power ballad. The lyrics are weak and cliche. Sample: "`Cuz all of the stars are fading away/just try not to worry/you'll see them someday . . ." This is one of the more disappointing songs on the album and, unfortunately, it ended up being a single.

"Songbird" (Liam) - Liam, with typical braggadocio, declared this one, "Better than anything on Revolver." The only Beatles song this tune might be better than is "Mister Moonlight" or "Revolution # 9," and even that would be a stretch. The guitar and rhythm sound like they're taken directly from "Lyin' Eyes" by the Eagles. It's a throw away and shouldn't be on the album.

"Little by Little" (Noel) - Noel sings this one and does a great job on vocals. The verses sound like many a Pink Floyd tune. The chorus makes this a good pop-rock tune. It has a nice guitar solo. It's basically about a relationship and inner searching ("Why am I really here?") There's nothing new in it, musically or lyrically, but it's a pretty good track, nonetheless.

"A Quick Peep" (Andy Bell) - Instrumental. I can't decide whether this is Pink Floyd doing The Pogues or The Pogues doing Pink Floyd. Either way, it should have been saved for an EP or a B-side.

"(Probably) All in the Mind" (Noel) - Perhaps a bit of a twist on the whole neo-psychedelic thing. Instead of dealing with personal exploration, it's about wanting to run away with someone else to another "life" that may only exist in his imagination. Not bad.

"She is Love" (Noel) - Has a folk-rock-pseudo-soul feel. Definitely pot-laced. I think the Black Crowes rubbed off on Noel when they toured together last year. It's Oasis doing a stripped-down version of "Soul Singing" on Lions. Very catchy.

"Born on a Different Cloud" (Liam) - A blatant Lennon rip off, this song is drenched in "I'm Losing You"from Double Fantasy. I swear Noel dug up George Harrison up and got him to replay the guitar solo from "How Do You Sleep?" The lyrics are even more of an obvious theft, ala "living on borrowed time" and "It's no surprise to me/that you're classless, clever and free." Yoko should sue have sued Liam for this one. There's a kind of clever . . . er . . . interesting line: "Talking to myself again/this time I think I'm getting through." If you like covers of John Lennon's solo work, you'll love this one.

"Better Man" (Liam) - The younger Gallagher takes his turn with a slightly Crowes-esque blues based rocker. Don't get me wrong, it's not a rip off. Very good song, certainly Liam's best. Positive lyrics from Liam who, by all accounts, is a drunken lout. Very, very subtly, it ends like "Nineteen Hundred Eighty Five" by Paul McCartney/Wings, which probably is no accident. This track is something like 38 minutes long. I thought something was wrong with my CD or the player because there was almost a ? hour of silence. Fast forward to minute 33 and there's a nice little surprise.

Heathen Chemistry falls squarely in the middle of the pack of Oasis albums. It's better than some but worse than others. It is a nice transition album between Standing on the Shoulders of Giants and Don't Believe the Truth. 3.5 stars would be a more than fair rating for it, but I'm rounding up rather than down, and giving it 4 stars.